For the cinephile looking to explore the director's work, starting with Trasgredire offers an excellent entry point. It provides the best of Brass's visual flair while maintaining a tone that is more approachable than his more extreme films.
Released at the turn of the millennium, Trasgredire (literally "to transgress") was Brass’s manifesto on sexual freedom, delivered through his signature voyeuristic style, vibrant color palettes, and celebration of the female form. The "tras" in your keyword may be a truncation of trasgressivo or trasgredire itself, but it perfectly underscores the film’s core mission: to push beyond boundaries, both cinematic and social. trasgredire cheeky tinto brass 2000 tras
Trasgredire sits comfortably within Tinto Brass's "golden era" of erotic cinema from the late 1990s and early 2000s, which includes films like Frivolous Lola (Monella) . Thematically, it draws certain parallelisms to his earlier experimental film (1969), which was also set in London. For the cinephile looking to explore the director's
Released in Italy on January 28, 2000, Trasgredire has lived a life as a genuine cult classic in the decades since: The "tras" in your keyword may be a
For those willing to approach it on its own terms — as a comic, erotic romp with a one-track mind — Cheeky is a breezy time capsule. It is not profound. It is not subtle. But like a summer day in Naples, it is warm, unpretentious, and unapologetically itself. Tinto Brass, now in his 90s, remains one of cinema’s last great hedonists. And Trasgredire ? It is simply his smile captured on film.
Violante (played by Sonia Braga in some versions; note: different releases have different principal actresses listed—see casting section) marries a wealthy, older man and then becomes involved with a younger lover. The story unfolds as a mix of deliberate erotic episodes, emotional confrontations, and reflective interludes, exploring the limits of marital fidelity and personal freedom. Brass frames the narrative episodically, often privileging mood, spectacle, and erotic set-pieces over tight plot mechanics.
The Italian verb “trasgredire” means “to transgress” or “to break the rules.” In Brass’s universe, transgression is not sin — it is health. The film’s soft philosophical core argues that rules around sex (jealousy, monogamy as obligation, shame) are cultural constructs that can be dismantled with a smile. Unlike the confrontational transgression of, say, Pasolini’s Salo , Brass’s transgression is sun-drenched and giggling.