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Before 2020, the only way an older woman could have a plot was if she was chasing a younger man. Enter (Cate Blanchett, Tár , 2022). She is not a mother, not a grandmother, and certainly not a romantic interest. She is a monster of genius: controlling, predatory, and brilliant. Blanchett’s performance proved that a woman in her fifties could anchor a three-hour psychological thriller without a single romantic subplot, relying solely on the voltage of her intellect.
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