Once a student advances to the second part of the first book, the pedagogical focus shifts from isolated notes to connected musical thoughts. 1. Mastering Legato and Cantabile Playing
The Russian School of Piano Playing Book 1 Part 2: A Comprehensive Guide
A hallmark of the Russian school is an early introduction to polyphonic music (counterpoint). Instead of the traditional "melody in the right hand, simple chords in the left hand" structure, Book 1 Part 2 challenges students with independent voices. The left hand is treated as an equal musical partner, preparing the student for the inventions and sinfonias of J.S. Bach. 3. Diverse Rhythmic Patterns and Articulations
Even simple pieces are chosen for their musical merit, encouraging students to focus on tone, expression, and phrasing from the very beginning. 2. What to Expect in Book 1, Part 2 the russian school of piano playing book 1 part 2 pdf
Ultimately, whether on paper or on a screen, Part 2 of Book 1 is where the Russian School ceases to be a “method” and becomes a musical worldview. It teaches you that every note has a direction, every finger has a voice, and every silence is part of the song. Happy practicing.
The goal is to create a well-rounded musician, not just someone who can press the right keys. The method was first published in 1951 and continues to be highly respected today.
: Exercises target hand independence, dynamic control, and specific finger techniques like "silent substitution" and accents in broken chords. Musicality & Interpretation Once a student advances to the second part
Introduces structural listening, theme variations, and dramatic pacing. Attwood, Gedike, Clementi
Part 2 is the "bridge" volume. It is where a student stops "playing notes" and starts "making music." By mastering the pieces in this book, you build the foundational arm-weight technique necessary to eventually tackle the works of Rachmaninoff and Prokofiev.
Pieces in this section break away from fixed hand positions. The repertoire requires frequent extensions, finger crossings, shifts, and the introduction of basic scale and arpeggio patterns. This expands the student's spatial awareness of the entire keyboard. 4. Cultivating Musical Imagery Instead of the traditional "melody in the right
Playing staccato in one hand while maintaining a smooth legato melody in the other.
Significant focus is placed on the independence of the left and right hands. Articulation & Dynamics:
Because The Russian School of Piano Playing remains under active print publication and distribution by various classical music publishers worldwide (such as Boosey & Hawkes), legal physical copies are highly recommended for the best printing and binding quality.